Earning her MFA in Screenwriting from the David Lynch Graduate School of Cinematic Arts, like David, she is a painter first before finding a path in film. Her acrylic on canvas works combine multiple visual textures and contrasting viewpoints in one image; 3D and super-flat clip-art elements, laboriously, completely hand-done to address the over-informed, ultra-produced digital landscape of the modern world while preserving the process and practice of traditional painting. Geared towards salty and sweet, her writing embraces her love for horror and rom-coms, the surreal and nostalgic, to push the boundaries of expectation and dissect the essence of the human condition with a dash of optimism. At CalArts, she studied music, performance, film, production, and dance, with a primary focus on Fine Art. That nurturing environment fortified her conceptual awakening under the guidance of the late Michael Asher, a prominent figure in Modern Art history, celebrated as the patron saint of Institutional Critique, as well as artist, writer, and current co-director of the CalArts Program in Art and a critic in the Yale School of Art sculpture program, Leslie Dick. Her words and work have been featured in MILK, Artillery, and ISSUE Magazine.